File Hosting / Sharing.

edited May 2011 in Chit chat
So my broadband provider has archived my webspace, because its over its bandwidth. I've only got a few images and a few WAV files up. In anycase you folkes downloading the files in the Jam thread and my showing of my cover of Unfinished Sympathy has put it over the limit.

So I am now looking for solutions so host files that people can download with ease, at speed without having form fill or me having to register. The system must allow me to embed my images directly within WOS as I do from time to time in threads.

What would you reccomend?
Post edited by Scottie_uk on
Calling all ASCII Art Architects Visit the WOS Wall of Text and contribute: https://www.yourworldoftext.com/wos
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Comments

  • fogfog
    edited May 2011
    photobucket

    you will have to register more than probable I guess. why ? say you lose your password etc :wink:
  • edited May 2011
    Imageshack lets you upload pics without registration.
  • edited May 2011
    Daren wrote: »
    Imageshack lets you upload pics without registration.

    Yeah but it has a habit of popping up livejasmin as well :evil:

    .....and various other shifty crap, from time to time.
    Every night is curry night!
  • edited May 2011
    Dropbox is perfect for the job. It what I use for this sort of thing, and so do others around these parts.

    Not limited to sharing JPGs; it's also fine for sharing WAVs, MP3s, TZXs, etc. I think FrankT pretty much has an entire website hanging off it from what I recall!
  • edited May 2011
    Scottie_uk wrote: »
    over its bandwidth

    a few WAV files

    I think I've discovered the problem ;)
  • edited May 2011
    guesser wrote: »
    I think I've discovered the problem ;)

    Yes Wav files. I could have put it as an MP3.
    Calling all ASCII Art Architects Visit the WOS Wall of Text and contribute: https://www.yourworldoftext.com/wos
  • edited May 2011
    I used high quality MP3s for my contribution and hosted them on my Google site. I think individual files have to be under 10MB, but you get a 100MB limit.
  • edited May 2011
    Yeah but it has a habit of popping up livejasmin as well


    Gets expensive huh?
  • fogfog
    edited May 2011
    FLAC instead ? as it's loseless

    not sure about filesizes
  • edited May 2011
    I'd been wondering about this... Can anyone tell the difference between wav and mp3 by ear? I've been using CDex to convert WAV to MP3, have had a good listen to the 2 but quite honestly I can't hear any difference. Seems to save tons of space though.
  • edited May 2011
    ccowley wrote: »
    Dropbox is perfect for the job.
    2nd vote for Dropbox.
  • edited May 2011
    Morkin wrote: »
    I'd been wondering about this... Can anyone tell the difference between wav and mp3 by ear? I've been using CDex to convert WAV to MP3, have had a good listen to the 2 but quite honestly I can't hear any difference. Seems to save tons of space though.

    I notice a difference in quality with tracks I've made myself, but not with anything else as when I rip a CD it's ripped straight to MP3. FLAC is apparently lossless, but I don't see how something can be compressed and not lose any quality, personally...
  • edited May 2011
    Morkin wrote: »
    I'd been wondering about this... Can anyone tell the difference between wav and mp3 by ear? I've been using CDex to convert WAV to MP3, have had a good listen to the 2 but quite honestly I can't hear any difference. Seems to save tons of space though.

    I can hear the difference (MP3 vs WAV) if it's high-quality music ... and by that I mean classical music.

    But it also depends on the bit-rate of the MP3 ... the higher the bit-rate the harder it gets to tell which format it is.
  • edited May 2011
    GreenCard wrote: »
    I notice a difference in quality with tracks I've made myself, but not with anything else as when I rip a CD it's ripped straight to MP3. FLAC is apparently lossless, but I don't see how something can be compressed and not lose any quality, personally...

    The key word is "lossless". When you uncompress it you get exactly what you compressed, exactly the same bytes - in other words, no loss in quality. Lossless compression MUST work without loss of quality, otherwise lossless compression wouldn't be usable for things like storing software (ZIP is lossless). That's how you can compress something with no loss in quality, you compress it in such a way you can make a 100% identical copy when you decompress. You can compress without loss of quality because pretty much all data has redundancy in it which can be compressed in such a way that you can recreate this redundancy absolutely faithfully.

    To contrast MP3, MP4 and other "lossy" compressions (for example JPEG) do not faithfully store the bytes that you want to compress, they drop out the bits that are least audible (or in the case of JPEG, least visible) and apply other techniques to make the stored result much, much smaller than a losslessly compressed file but at the cost of irretrievably and permanently losing some of the data.
  • edited May 2011
    Morkin wrote: »
    I'd been wondering about this... Can anyone tell the difference between wav and mp3 by ear?
    Only if the MP3 bitrate isn't high enough. Something encoded at 96 or 128 kbps often has the audio equivalent of pixellation... a sort of vague metallic/robotic modulation of the sound, and for songs with sudden breaks you can hear echoes of previous sections of the music in what should be the relative quietness of the break.

    192 or 256kbps MP3s don't usually have any noticeable (to me...) compression artifacts. I think people in their teens or early 20s generally have more acute hearing and might be able to pick something out at higher bitrates, but MP3s didn't exist when I was that young :)
  • edited May 2011
    GreenCard wrote: »
    I don't see how something can be compressed and not lose any quality, personally...

    Never zipped a WAV file? Faster CPUs mean better realtime decompression rates. Personally I find 128-bit AAC perfectly acceptable for audio. Sure there's a difference, but vinyl is better than CD and yet most people preferred the convenience of CD ... until MP3 came along.
  • edited May 2011
    aowen wrote: »
    ...vinyl is better than CD...

    In what way?
    (sound quality, the physical space they take up, the way they look,etc ?)

    Which pops a question out of the deepest, darkest recesses of my cranium ... vinyl obviously isn't a digital medium but has the "quality" of the sound on a vinyl been established? (i.e. bitrate or some similar comparable equivalent?)
  • edited May 2011
    aowen wrote: »
    but vinyl is better than CD
    only if you never actually play it :p
  • edited May 2011
    ZnorXman wrote: »
    has the "quality" of the sound on a vinyl been established? (i.e. bitrate or some similar comparable equivalent?)

    The frequency response starts off comparable to CD audio but rapidly degrades when you actually play the record
  • edited May 2011
    ZnorXman wrote: »
    ... vinyl obviously isn't a digital medium but has the "quality" of the sound on a vinyl been established? (i.e. bitrate or some similar comparable equivalent?)

    Sort of an answer; but having just got back into vinyl collecting there IS a quality difference based on the weight of the vinyl. Standard is 120grams, better 180grams, and better still 200g and 220g (might be more that I am unaware of).

    The heavier the material the deeper the groove can be cut and so the more information you can fit in the groove..apparently.

    From what I understand most older 80s etc vinyl is in 120g and the newer re-issues are usually 180g.

    EDIT: Cut/paste from another forum

    120-140 g is a "normal" vinyl LP, like most new releases in the 20th century. 180 g is considered audiophile grade and most new releases and re-releases available today come out in this format. The record is thicker and heavier so it may be less prone to warping over time. Some claim sonic benefits on 180 g's like better stereo imaging, less noise, wider bandwidth, etc. Another factor is "virgin" vinyl (often a feature hand in hand with 180 g and heavier LPs) which uses no recycled plastic which can contain impurities leading to a noisier record.

    Another factor is playback speed. 45 rpm records inherently sound better than 33.3 rpm's. I own Radiohead's "Hail to the Thief" on 12", 45 rpm, 180 g LPs. I think this is the highest quality though you get less time per side. Plus I've only listened to it a few times as I have to take apart my turntable to switch the belt to 45 rpm mode. It sounds great.

    I don't think you can say that all 180 g sound better than 120 g as the quality is largely dependent on the recording, mastering and pressing.

    For example, you could have the original UK pressing of an early Black Sabbath album that will sound better than any US release because they were initially mastered differently.

    If it's available and I can afford it I always opt for a 180 g pressing, I just assume it must sound better, though this may be a sonic placebo. When I'm shopping I take the 180 g sticker a stamp of quality though I'm probably just falling for marketing. On the other hand it is much more expensive to press 180 g virgin vinyl so you must assume the band or label cared enough about the record to do it.
  • edited May 2011
    there is no way vinyl is better that digital. it gets all dusty and ****.

    most people who go on about records like them cos the crackle, thats not how the artists intended it to be. ;)
  • edited May 2011
    guesser wrote: »
    The frequency response starts off comparable to CD audio but rapidly degrades when you actually play the record

    I was just thinking about that ... each time you play, the needle touching the vinyl "erodes" the quality.

    Didn't know about the quality of the sound, interesting to hear.
    beanz wrote: »
    Sort of an answer; but having just got back into vinyl collecting there IS a quality difference based on the weight of the vinyl. Standard is 120grams, better 180grams, and better still 200g and 220g (might be more that I am unaware of).

    The heavier the material the deeper the groove can be cut and so the more information you can fit in the groove..apparently.

    From what I understand most older 80s etc vinyl is in 120g and the newer re-issues are usually 180g.

    Hmmm, never thought about the weight/quality of plastic used but that sure is interesting to hear (imo). I guess it's somewhat comparable to the plastic/aluminium used in CDs, or at least when it comes to how long they last I guess. EDIT: Oh, and interesting to read Beanzie's cut/paste edit.

    Cool stuff, thanks you guys :-)
  • edited May 2011
    mile wrote: »
    there is no way vinyl is better that digital. it gets all dusty and ****.

    Analogue vs digital?

    Analogue sounds 'warmer' so I keep being told by my friend who uses vintage amplifiers and pays a fortune for vacuum tubes for it.

    Would vinyl be classed as analogue sound?
  • edited May 2011
    beanz wrote: »
    Analogue sounds 'warmer'

    yes, because of the distortion and loss of quality at every stage of the process.

    You may prefer the sound, but it is most definitely NOT better quality.
  • edited May 2011
    mile wrote: »
    ...most people who go on about records like them cos the crackle, thats not how the artists intended it to be. ;)

    You know, come to think of it I like(d) the crackle (way back when) ... depending on the album, some had scratches that were always in the same spot, or you had the random dust giving it that "extra special" added quality.

    But I never had that many albums, I was too picky and never really into mainstream music (classical = yes, regular run'o'yemill = not really)
  • edited May 2011
    beanz wrote: »
    Analogue vs digital?

    Analogue sounds 'warmer' so I keep being told by my friend who uses vintage amplifiers and pays a fortune for vacuum tubes for it.

    no you're thinking of temprature not sound. things can't sound warm.

    you might as well say records are more salty or have more viscosity.

    your 'friend' is prolly just trying to justify his purchases, when a 20 quid mp3 player would do the job a million times better. ;)
  • edited May 2011
    guesser wrote: »
    =
    You may prefer the sound, but it is most definitely NOT better quality.

    Personally I don't, I prefer CD sound but still like Vinyl as a 'collectable' etc.

    There are many parameters in playing vinyl too...turntable quality (speed etc), needle quality, needle cartridge quality....amplifier quality etc...

    I think A CD is pretty much sounds the same regardless of the player except for the speaker quality.
  • edited May 2011
    mile wrote: »
    no you're thinking of temprature not sound. things can't sound warm.

    you might as well say records are more salty or have more viscosity.

    your 'friend' is prolly just trying to justify his purchases, when a 20 quid mp3 player would do the job a million times better. ;)

    Well he is one of those that pays 30 quid for a foot of speaker cable too...sooo...you might be right.
  • edited May 2011
    beanz wrote: »
    Personally I don't, I prefer CD sound but still like Vinyl as a 'collectable' etc.

    There are many parameters in playing vinyl too...turntable quality (speed etc), needle quality, needle cartridge quality....amplifier quality etc...

    I think A CD is pretty much sounds the same regardless of the player except for the speaker quality.

    and it will sound the same every time you play it too.
  • edited May 2011
    beanz wrote: »
    Well he is one of those that pays 30 quid for a foot of speaker cable too...sooo...you might be right.

    I replaced all my speaker cable with high performance oxygen free cable, but then discovered I couldn't listen to my Jean Michelle Jarre collection :-o


    badum tsh :)
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